EXAMPLEIllustrative example · fictional restaurant «Sazón de Origen». Not your data: your result is built with YOUR restaurant's.See the assistant →
Sazón de OrigenFictional contemporary Colombian restaurant in Medellín, 2 locations, 6 years in business. Every sample result in the library comes from this same case.
Content Plan and Calendar

Sample result

Long-Video to Short-Content Converter for Restaurants

The owner asked this:«I have our anniversary stream: 52 minutes. I know there's good stuff in there but nobody will watch it whole.»

① The moments map, with its test and its permission

The map is built on the recording, not on what the owner remembers: you named three moments and the material holds five.

Min:secThe momentStands alone?PermissionVerdict
03:12–03:41Doña Rosa tells how she started with a borrowed stoveYes: full story in 29 sTeam, signedCUT 1
17:05–17:26The owner's toast: «twelve years without buying pre-made chicharrón»Yes: the decision in one lineTeam, signedCUT 2
24:40–26:10The pass mid-service, tickets hangingYes, trimmed to 34 sTeam, signedCUT 3
31:18The thank-you to suppliersNo: needs the event's context—Dropped: someone would have to explain it
47:22–47:58Table 12 singing grandma's birthdayYesAWAITING: the familyNever published unsigned

SUPUESTO: the retention reference used is the house's own best reel —the chicharrón one, 41 s— and not a platform figure. If the house has no reference of its own, the first week is what sets it, and until then the targets below are provisional.

② The cuts, with their packaging and their close

CutIn/outFirst lineKey captionWhat it pushes
1 · Doña Rosa03:12 → 03:41«She started with a borrowed stove.»«12 years later, still hand-cracking the chicharrón»The house bandeja
2 · The toast17:05 → 17:26«Twelve years of saying no.»«The house chicharrón: never bought pre-made»Saturday bookings
3 · The pass24:40 → 25:14No voice: the pass in full service«This is what a Saturday looks like inside»Own delivery, not the platform

The cut rule: enter on the action (no intros), captions always —most people watch muted— and the cut never promises what the moment doesn't show.

The close rule, which almost nobody writes down: none of the three pushes the sancocho, even though it is what sells most. It is the workhorse and it leaves little; all three close on the bandeja, the star dish with the best contribution margin.

The full example has 1 more part(s): you see them inside the library, with your account.