Sample result
Team Video Script Builder for Restaurants
The owner asked this:«Doña Rosa has hand-cracked the chicharrón for 8 years and Andrés knows the three questions of every dish. I want to show them without sounding like a commercial or making anyone uncomfortable.»
① Block A · The cast, with proof and willingness
| Person | Mastery the camera sees | Proof the guest notices it | Wants camera? | Verdict |
|---|---|---|---|---|
| Doña Rosa (kitchen, 8 years) | The three-piece chicharrón cut at service pace | Guests ask for her by name | Gladly | CHOSEN: mastery + proof + willingness |
| Andrés (floor, 3 years) | Answers any dish's 3 questions without the menu | The check rises when he takes the table | Yes | Second: shoots next month |
| Griddle cook | The even sear on the bandeja | Real production technique | No face | Plan B in this same cell: hands and station, voice over — nobody is forced |
SUPUESTO: no industry benchmark is used for what a team video «should» return. The target is set against Sazón de Origen's own 4-week mean; if the POS history turns out shorter, the target is recalculated and said out loud.
② Block B · The shot-by-shot script («Doña Rosa», 38 seconds)
| Shot | Seconds | What the camera sees | The idea she says her way |
|---|---|---|---|
| 1 | 0-6 | Rosa's hands cracking chicharrón at real pace; her face not yet shown. | Nothing. Just the crunch. On-screen text: «8 years doing this.» |
| 2 | 6-18 | The camera rises: Rosa works and talks without stopping. | The idea, her way: how many she cracks on a Saturday; why by hand you feel the point and by machine you don't. |
| 3 | 18-30 | Close-up of the three-piece cut; the bandeja behind, in real production. | The idea: guests never see who cracks their chicharrón — but they notice at the bite. |
| 4 | 30-38 | Rosa looks at the camera; the plate goes to the pass. | She introduces herself by name and names the dish as the menu names it: the house Bandeja. |
What does NOT happen: no script, no dance, no humor at anyone's expense; no extra bandeja gets cooked for the camera —that would be paid-for waste— and no shot teaches a cut that contradicts the standardized recipe. The signature comes first: Rosa signs consent on Tuesday and approves the final cut before publishing.
The full example has 1 more part(s): you see them inside the library, with your account.